#Cool edit pro peter quistgard how to
#Cool edit pro peter quistgard software

Using only a few lines of code, images of works by Gerhard Richter are scanned from left to right, using a strip one pixel wide. (De/Re)constructing Gerhard Richter (A Study): detail from “Abstract Painting”

#Cool edit pro peter quistgard how to

The show opens on the 16th of November - more information on the show or how to get to the gallery can be found at Transfer’s website here Glitchometry Video (Circles #10) from Daniel Temkin on Vimeo. There are a few video examples on Daniel’s Vimeo account with three works that will be featured - here is one of them: The new work was produced in part during a residency at the Institute of Electronic Arts at Alfred University during the summer of 2013, and has been paired with past studies and new process pieces for this exhibition. This exhibition focuses on two new Glitchometry studies: one based on stripes, another based on triangles, squares, and circles. Temkin works obsessively through iterations to create elaborate sonar landscapes which are illuminated in vibrant lightbox displays. With this sound editing software, Temkin manipulates simple black and white geometric figures and stripes by databending sound effects through color channels, coercing visual artifacts that correspond to the properties of sound.

#Cool edit pro peter quistgard software

Glitchometry is rooted in Temkin’s use and misuse of the machine - in this case, the pirated software Cool Edit Pro, whose thousands of users all authenticate as Peter Quistgard. In his emphasis on process over product and on the constraint system defining the work, Temkin recalls both the ‘structures’ of Sol LeWitt and Gerhard Richter’s Abstraktes Bild, with its ambivalence of authorship within a system. The result is an exploration of our relationship with machines - a collision between our desire for accessible forms in chaotic processes and a compulsiveness arising from our attempts to think logically. The collaboration is an uneasy one, where the artist and algorithm have conflicting agendas and trade off control in building the work. Glitchometry is an ongoing body of work from Daniel Temkin, an artist and programmer who produces humanistic collaborative works with the machine. Next exhibition at Transfer Gallery is a show featuring the work of glitch artist Daniel Temkin: If you haven’t already heard, check this out.